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      • Galerie

      Designlösungen

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      • Galerie
      Zwischen 2005 und 2011 wurden mehr als 300 HAHN Vitrinen in 18 Galerien im historischen Teil des ROM sowie im neu erbauten Michael Lee-Chin Crystal von Studio Daniel Libeskind realisiert. Die ersten 3 Projektphasen haben Haley Sharpe Design entworfen, darunter besonders großformatige Vitrinen für die "Heritage Galleries", komplexe Sonderformen für die "Teck Suite of Galleries" sowie für die "Crystal Galleries". In Projektphase 4 haben Reich+Petch Design International die "Schad Gallery of Biodiversity: Life in Crisis" gestaltet. Sie liegt im historischen Centre Block im 2. Stock und zeigt auf rund 1000 m² die umfassende naturhistorische Sammlung des ROM. Phase 5 konzentriert sich auf die Altertumssammlungen mit den Byzantinum, Rome & Etruria, Near Eastern and Nubia Galleries, neu gestaltet durch die ROM Exhibition Designerin Luciana Calvet. Zigzag central display case in the Gallery of Gems and Gold. Photo: © Royal Ontario Museum. All rights reserved GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-level building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. Reopened in February 2013 it is a true highlight, showcasing the Asian treasures of the TNM collection. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. Its reopening in February 2013 is a true highlight, showcasing the Asian treasures of the TNM collection. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. Originally opened in 1968 and designed by Taniguchi Yoshiro, the five-storey building with 13 gallery spaces was strengthened by taking earthquake proof measures. Today, the Toyokan Asian art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. The Asian Art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. Prototype constructed in and installed in Frankfurt ahead of installation in Canada Wallcase in the Africa, Asia and Americas Galleries GLASBAU HAHN has completely equipped the refurbished Toyokan Gallery at the TNM. The Asian Art Collection is presented inside 120 free-standing, wall- and table cases, some of extraordinary dimension. It is considered the largest specialist gallery of Asian art in Japan. Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre. Ceramics Galleries Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre. Prototype side view Complete installation with various display cases, some hanging, some with illumination. One of the major tasks in the project was the logistic management of large glass panels and contruction units in limited storage space available at the installtion site. Complete installation with various display cases, some hanging, some with illumination. Complete installation with various display cases, some hanging, some with illumination. Complete installation with various display cases, some hanging, some with illumination. Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre. Complete installation with various display cases, some hanging, some with illumination. Phase 2 with study collection cases of up to 26 m length. Various free-standing display cases designed in a diamond like shape, equipped with fiber optic lighting, all cases with glass bases & decks & large duorail sliding doors. Various free-standing display cases designed in a diamond like shape, equipped with fiber optic lighting, all cases with glass bases & decks & large duorail sliding doors. Newly built visitors center on the Capitol grounds equipped with 39 HAHN free-standing cases in its exhibition area. Cases with special finish for the visible metal surface. Various free-standing display cases designed in a diamond like shape, equipped with fiber optic lighting, all cases with glass bases & decks & large duorail sliding doors. Two types of display cases were designed: 4 built-in wall cases and 6 freestanding display cases in nonrectangular, irregular shape, designed to be connectable and moveable. Their design was derived from the ancient Chinese Tangram puzzle, a square cut into seven pieces to be combined into various figures, a design concept complimenting the architecture of the building. Two types of display cases were designed: 4 built-in wall cases and 6 free-standing display cases in nonrectangular, irregular shape, designed to be connectable and moveable. Their design was derived from the ancient Chinese Tangram puzzle, a square cut into 7 pieces to be combined into various figures, a design concept complimenting the architecture of the building. Kingsize free-standing display cases over 6 m long, 2 m deep, 5 m high with fiber optic lighting, and a wall case measuring over 15 m length. All cases are connected to the central HAHN climate control system RK2 Xa, maintaining a stable microclimate even in extra-large display cases. The climate control data are monitored via PC with special software, located in a separate control room completely invisible to the visitor. The Museum was founded in 1978 by the Vehbi Koç Foundation in the former Koç familiy summer retreat, Azaryan Mansion. Today, the Sadberk Hanim Museum is located in two historical and restored Mansions in Sariyer / Istanbul. The private museum is home to two collections with over 18.000 artefacts including archaeological relics from early Anatolian civilization presented in the Sevgi Gönül Building, as well as Turkish Islamic artefacts and rare textiles of the Ottoman era presented in the Azaryan Mansion. Free-standing display case of heavy weight construction viewable from 4 sides, internally powered lift to remove the artefact from the glass exhibit and secure it into the steel base. Teck Suite of Galleries, Gallery of Gems and Gold. Photo: © Royal Ontario Museum. All rights reserved The museum was built as the result of a collaborative effort among three of the world’s leading architects: Mario Botta, Jean Nouvel and Rem Koolhaus. GLASBAU HAHN was contracted to build the display cases for the gallery of Korean traditional art, museum 1, designed by Mario Botta. Complete installation of approx. 100 museum display cases, free-standing, table and wall display cases with special design and construction, some cases are suspended from the ceiling. These customised display cases were visualised in 3-D drawings, prototyped and manufactured in Frankfurt, shipped to Korea and installed on site by an installation team of GLASBAU HAHN. Extra large wall case measuring over 15 m length. Central HAHN climate control system RK2 Xa. William and Judith Bollinger Jewellery Gallery opened in 2008 featuring curved and circular free-standing HAHN cases. Each glass panel equipped with anti-bandit glass and non-reflective Amiran coating, individually shaped, the top closing panel formed by a curved and slanting glass strip. The making of the suspended display cases. World record tall case with glass panels of 9 m height, equipped with motorized sliding opening mechanism. Special design to match the architecture of the Memorial Hall with 12 glass columns. A world record in the field of case design and construction was established in 2001 by GLASBAU HAHN. The case with glass panels of 9 m height is a perfect match for the memorial hall architecture by Akira Kuryu Architects, in cooperation with Architect Ohno. Twelve glass columns dominate the hall space, which is embedded in the ground and emerges from an illuminated water basin above the ground. Das größte Highlight ist eine 14 m lange Wandhängevitrine. Sie kommt ganz ohne Zwischenwände aus und bietet mit sieben Frontscheiben als Schiebetüren, mit Beschlägen von nur 60 mm Höhe, höchsten Komfort bei minimalistischer Technik. Die Türscheiben schließen oben auf Gehrung perfekt mit der Deckelscheibe ab, die wiederum selbst als Beleuchtungsträger fungiert. Architekt und Museumsleitung wollten eine Lösung, die ohne Lichtkasten alle Raffinessen der LED Beleuchtung aufnimmt. HAHN lieferte die perfekte technische Umsetzung: 1. In Glas eingebettete Stromzufuhrkabel. 2. Kugelkopf gelagerte LED-Leuchten in Einsätzen, die direkt im Glas befestigt sind. 3. Miniatur-Fokussierlinsen mit verstellbarem Abstand zur Lichtquelle können optional angebracht werden. The large scale table and free-standing display cases are placed on an isolator, effectively compensating any shocks during earth quakes by supporting the entire ground plan of each cases. Nagasaki, located in the south of Japan is not considered an earthquake-prone area. Nonetheless the entire museum complex is equipped with seismic shock protection.
       

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