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94 HAHN Vitrinen verschiedener Typen für 7 Galerien Europa 1600 bis 1815
Victoria and Albert Museum, Europe Galleries von 1600 bis 1815, London
United Kingdom, 2015
94 HAHN Vitrinen verschiedener Typen für 7 Galerien Europa 1600 bis 1815
In den umgestalteten Europe Galleries befinden sich auch einige spezielle Wandvitrinen Photo©David Grandorge
In den umgestalteten Europe Galleries befinden sich auch einige spezielle Wandvitrinen Photo©David Grandorge
Produkt Wandvitrine
Durch den „Zukunftsplan“, wie das Neugestaltungsprogramm des V&A genannt wird, konnte Europa noch besser dargestellt werden. Es erschließt sich ein breiteres Gesamtbild des Zeitraums. 
Foto©David Grandorge
Durch den „Zukunftsplan“, wie das Neugestaltungsprogramm des V&A genannt wird, konnte Europa noch besser dargestellt werden. Es erschließt sich ein breiteres Gesamtbild des Zeitraums.
Foto©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
GLASBAU HAHN hat das gestalterische Know-how der Architekten ZMMA überzeugend umgesetzt. Photo©www.zmma.com/VandA
GLASBAU HAHN hat das gestalterische Know-how der Architekten ZMMA überzeugend umgesetzt. Photo©www.zmma.com/VandA
Spezielle Freistehende Vitrinen sind Teil des Bodens auf dem sie stehen. Für Besucher ist dies eine sehr spezielle Begegnung mit „unsichtbaren“ Vitrinen. Foto©David Grandorge
Spezielle Freistehende Vitrinen sind Teil des Bodens auf dem sie stehen. Für Besucher ist dies eine sehr spezielle Begegnung mit „unsichtbaren“ Vitrinen. Foto©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Photo©David Grandorge
Von 2015 bis 2016 wurden die Galerien "Europe 1600-1815" im Victoria & Albert Museum, London modernisiert. Dies beinhaltete die Umgestaltung von sieben Galerien durch die Londoner Architekten und Designer ZMMA. GLASBAU HAHN hat 94 Vitrinen für spezielle Präsentationen gebaut. 
Foto©David Grandorge.
Von 2015 bis 2016 wurden die Galerien "Europe 1600-1815" im Victoria & Albert Museum, London modernisiert. Dies beinhaltete die Umgestaltung von sieben Galerien durch die Londoner Architekten und Designer ZMMA. GLASBAU HAHN hat 94 Vitrinen für spezielle Präsentationen gebaut.
Foto©David Grandorge.
Die “Europe Galleries” sowohl präsentieren Französische, Deutsche und Italienische Objekte als auch Kunst und Design von Spanien, Portugal, Skandinavien und Osteuropa. Foto©David Grandorge.
Die “Europe Galleries” sowohl präsentieren Französische, Deutsche und Italienische Objekte als auch Kunst und Design von Spanien, Portugal, Skandinavien und Osteuropa. Foto©David Grandorge.
Photo©David Grandorge
Photo©David Grandorge
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111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection.
Victoria and Albert Museum, Medieval & Renaissance Galleries, London
United Kingdom, 2009
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
Produkt Wandvitrine
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
111 individual display cases in 10 new Galleries of the Medieval & Renaissance Collection. Monolithic appearance through base cladding with elements of natural stone on Aluminum sandwich in seamless attachment. Equipped with non reflective "Anti-Bandit-Glass" and sophisticated opening mechanism solutions.
Produkt Wandvitrine
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Ceramics Galleries Phase 1 w. free-standing cases + wall cases equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Victoria and Albert Museum, Ceramics Galleries Phase 1 and 2, London
United Kingdom, 2009
Ceramics Galleries Phase 1 w. free-standing cases + wall cases equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with free-standing cases and wall cases equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with free-standing cases and wall cases equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access.
Ceramics Galleries Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Ceramics Galleries Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Produkt Designlösungen
Ceramics Galleries Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Ceramics Galleries Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Produkt Designlösungen
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Ceramics Galleries Phase 1 with freestanding cases of 8 m length and 3.10 m height and glass top. Wall cases of 2.65 m height divided in modular width along the full gallery length with cases protruding into space, equipped with newly developed slide-and-turn opening mechanism providing 100% access. Phase 2 with study collection cases of up to 26 m length and 3.70 m height to present 30,000 Ceramic objects in 4 galleries of the new Study Centre.
Produkt Designlösungen
Phase 2 with study collection cases of up to 26 m length.
Phase 2 with study collection cases of up to 26 m length.
Produkt Designlösungen
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William and Judith Bollinger Jewellery Gallery opened in 2008 featuring curved and circular freestanding HAHN cases.
Victoria and Albert Museum, William and Judith Bollinger Jewellery Gallery, London
United Kingdom, 2008
William and Judith Bollinger Jewellery Gallery opened in 2008 featuring curved and circular freestanding HAHN cases.
Produkt Designlösungen
Produkt Designlösungen
William and Judith Bollinger Jewellery Gallery opened in 2008 featuring curved and circular free-standing HAHN cases. Each glass panel equipped with anti-bandit glass and non-reflective Amiran coating, individually shaped, the top closing panel formed by a curved and slanting glass strip.
William and Judith Bollinger Jewellery Gallery opened in 2008 featuring curved and circular free-standing HAHN cases. Each glass panel equipped with anti-bandit glass and non-reflective Amiran coating, individually shaped, the top closing panel formed by a curved and slanting glass strip.
Produkt Designlösungen
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HAHN free-standing and wall cases with metal clad base for the permanent collection of international contemporary studio glass
Victoria and Albert Museum, Modern Glass Gallery, London
United Kingdom, 2004
HAHN free-standing and wall cases with metal clad base for the permanent collection of international contemporary studio glass
The new Modern Glass gallery adjoins the V&A's historic Glass Gallery with 8,500 objects of over 4000 years. The new Glass Gallery provides dedicated space for international contemporary works from the Museum's permanent collection.
The new Modern Glass gallery adjoins the V&A's historic Glass Gallery with 8,500 objects of over 4000 years. The new Glass Gallery provides dedicated space for international contemporary works from the Museum's permanent collection.
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Victoria and Albert Museum, Silver Gallery, Room 65 + 66, London
United Kingdom, 1996
Various types of HAHN display cases with special design and fibre optic lighting
Victoria and Albert Museum, Raphael Cartoon Court, Tapestry Case, London
United Kingdom, 1993
Wall hung display case in special size, 5.700 x 5.100 mm; prepared to take air humidity control
Victoria and Albert Museum, Glass Gallery, London
United Kingdom, 1992
Display cases of different types and sizes
Victoria and Albert Museum, Nehru Gallery of Indian Art, London
United Kingdom, 1990
Free-standing and wall display cases; scaffolding, SILICAGEL trays, CLEARWHITE laminated safety glass, 10-22 mm, halogen spot lamps, alarm equipment
Victoria and Albert Museum, Gallery 47 F / B / A, London
United Kingdom, 1989
43 display cases of various types: free-standing up to 4.200 mm height, pedestals with laminated safety glass, and wall display cases